I’ve been thinking a lot lately about rereading books. I have had a regular practice of annual returns to favorites, such as all the Dorothy L. Sayers Lord Peter Wimsey novels in order. And every time there’s a presidential election I read J. B. Priestley’s The Image Men.
In August my husband and I are going to the UK and will attend a Tolkien conference in Birmingham. So I’ll start rereading The Lord of the Rings very soon.
Other books on my mental reread list are all the Barbara Pym novels, the hilarious Angela Thirkell books, and perhaps Susan Howatch. Friends had been in London and saw a play called “Jude” that’s loosely based on Thomas Hardy’s Jude the Obscure. That put in mind that rereading Hardy would be a lovely thing.
Rereading can be comforting when we need to escape into something familiar and loved. Rereading reminds us why we like certain genres and certain characters. Rereading makes good use of our physical and digital libraries and refreshes our literary senses.
Summer is a great time to reread something. What’s on your list?
I picked up the first of these, A Killer in King’s Cove when we were in our favorite vacation place, Tofino B.C. There’s a little bookstore called Mermaid Tales, and we always go in and buy a book or two. I always like reading books with local interest, and this series by a Vancouver, B.C. author intrigued me.
It seems I’m reading a lot of books these days set in the 1950’s, from James Runcie’s Grantchester mysteries, Kate Atkinson’s Transcription, and these books set in the B.C. Interior. I was caught right away by Whishaw’s ability to describe and invoke the area – what they call the Kootenay (after the lake of the same name) in and around Nelson. She lived there when she was a child, so these books have a deep place in her own life and memory. I’ve also always loved this area. We traveled there when I was a child, and I’ve been through there many times since. So the geography itself was enough to get me started.
The protagonist, Lane Winslow, is an English young woman who comes there to begin anew after a secretive career during World War II and at the end of a bad romance. It’s not totally clear why she chose Canada, and it’s described as a random, capricious choice, but one that seems to fit perfectly as the story unfolds. She’s lives in King’s Cove, a small community a ferry ride across the lake from Nelson and another 30 mile ride up the road. Whishaw does a wonderful job of describing the people in the small community, and the terrible effects of the war are still powerfully present.
I’m so taken with these that I am reading book four – haven’t hardly come up for air! The stories are good, the characters are splendid and well-defined, and the writing is excellent. I do think she needs a better proof-reader/editor. Both books one and three have characters referred to wrongly, and book four has at least one serious misspelling. And I was disappointed by a kind of cheap trick in A Killer in King’s Cove where it is obvious who “the director” is but she hides it away until Lane uncovers it. I think the book would have been better to name the person when first using that character. But in all these are well worth the read, especially if you love the wonderful expanses of western Canada as I do.
Here’s the list:
A Killer in King’s Cove (2016)
Death in a Darkening Mist (2017)
An Old, Cold Grave (2017)
It Begins in Betrayal (2018)
Sorrowful Sanctuary (2018)
A Deceptive Devotion (2019)
I just finished There There by Tommy Orange, a remarkable novel set in Oakland, California. It is multiple stories of many different Indians and their families. It’s hard to read, because of all the sadness and loss and addiction. It’s hard to read because of the history you learn. He writes a Prologue that details the history of the Indians in our country, and he writes an Interlude that gives more details for the current time. It’s hard to read because, even knowing all those things, having them put together with the “real” lives of his characters is hard to read.
Story is such an important part of Native culture, and this is a book about story. Last week my husband and I attended a lecture at the Seattle Art Museum that was about how one Northwest Native mask can make its way into different tribes and places, adding different pieces to its composition. The two speakers made one important point: The reason all this exchange can happen is because the piece is not what’s important; it’s the story that’s told behind it. And each story is sacred and particular to each tribe.
At the beginning of There There the character Tony Loneman reflects on reading and story. Tony was born with Fetal Alcohol Syndrome and the first chapter about him has him realizing that his face tells the story of that disease. He calls it “The Drome.” His mother is in jail and he lives with his “Grandma” Maxine. He says, Maxine makes me read to her before she goes to sleep. I don’t like it because I read slow. The letters move on me sometimes, like bugs. Just whenever they want, they switch places. But then sometimes the words don’t move. When they stay still like that, I have to wait to be sure they’re not gonna move, so it ends up taking longer for me to read them than the ones I can put back together after they scramble. Maxine makes me read her Indian stuff that I don’t always get. I like it, though, because when I do get it, I get it way down at that place where it hurts but feels better because you feel it, something you couldn’t feel before reading it, that makes you feel less alone, and like it’s not gonna hurt as much anymore. One time she used the word “devastating” after I finished reading a passage from her favorite author — Louise Erdrich. It was something about how life will break you. How that’s the reason we’re here, and to go sit by an apple tree and listen to the apples fall and pile around you, wasting all that sweetness. I didn’t know what it meant then, and she saw that I didn’t. She didn’t explain it either. But we read the passage, that whole book, another time, and I got it.
This is a book will get you to that place “where it hurts but feels better because you feel it… .” And Orange is a terrific writer – no wasted words. The title comes from a Radiohead song by the same name. The last lines of the lyrics are: We are accidents waiting Waiting to happen, and those words are poignant and powerful as this book moves to its inevitable conclusion.
I would guess many of you have seen the television series Grantchester. It follows the daily life – and occasional sleuthing – of local vicar Sidney Chambers. Set in the 1950’s, the characters lives are set against the aftermath of World War II. Grantchester is a real-life picturesque village just a tiny bit southwest of Cambridge, England. Chambers, with his growing friendship with Detective Inspector Geordie Keating, takes on matters of life, love, death, and God in good style.
The television series is based on the Grantchester novels by James Runcie. Runcie is the son of Robert Runcie who was the Archbishop of Canterbury from 1980-1991, so he is well-acquainted with the strengths and vicissitudes of the Church of England and its local representatives. He does an excellent job of setting out the daily routine of the parish priest while at the same time letting us in on Sidney’s struggles and joys. Here’s the list:
Sidney Chambers and The Shadow of Death (2012), Sidney Chambers and The Perils of the Night (2013), Sidney Chambers and The Problem of Evil (2014), Sidney Chambers and The Forgiveness of Sins (2015), Sidney Chambers and The Dangers of Temptation (2016), Sidney Chambers and The Persistence of Love (2017)
The newest is The Road to Grantchester, which is a prequel to the others. It just came out recently in England and I was happy to purchase a copy when I was in Cambridge at the end of March. This is a powerful story about the effects of war on individuals and relationships. From this we learn a lot about why Sidney’s memories from the war are so troubling (as presented in the other books) and also about his intense relationship with Amanda Kendall. I found Runcie’s descriptions of the soldiers in World War II to be particularly powerful. It will be available in the US on May 7.
I’m torn about recommending reading the prequel first. I don’t think you should. Dive into the others first – in order, of course! – and then pick up this book so you can pick up the pieces Sidney Chambers left behind in the other stories. These are very good reads!
A friend recommended the crime/mystery novels of Tana French. I’ve read two so far – In the Woods, and The Likeness. I’ve enjoyed them both, although I found them both rather hard to start. Each one begins with a sort of prologue that gives hints to the rest of the story, but I found each prologue less than helpful. Neither made me want to continue reading the book! Because I totally trust the recommendations of my friend, I kept going and was rewarded both times with wonderfully complex and profound stories. And the writing is really good.
The books follow the Dublin Murder Squad, and I like the way she presents the detectives and others in some depth. I like most of the characters and, when they screw up (which they do) I cringe right along with everyone else in the story who is feeling the effects of the errors in judgment.
In the Woods is a particularly frightening story about families and loss, told in such a way that we’re sure we know these people. The Likeness begins with the main detective seeing a body that looks exactly like her. Part of this story requires a little suspension of disbelief, I think, but it’s still gripping and engaging.
These are big, dense books, so they’ll keep you occupied. I’m looking forward to reading them all. And my friend loaned them all to me! Thanks, Pamela!
Here’s the list: In the Woods, The Likeness, Faithful Place, Broken Harbour, The Secret Place, and The Trespasser.
Among the many great things about Laurie Frankel’s novel This Is How It Always Is are the chapter titles. Each one makes you wonder how the story will unfold. From the first “Once Upon a Time Claude Was Born,” each title gives a little clue as the next part of the story. My favorite is “Annus Mirabilis.” The chapter begins like this:
Penn found himself thinking a lot about John Dryden. Dryden was one those poets you read in graduate school but not in life. No one’s email signature was a Dryden quote. Anyone whose email signature was a Dryden quote hadn’t read the rest of the long, dry verse it came from. But Dryden had a poem: “Annus Mirabilis.” The year of wonders. It was a poem about England in 1666. England in 1666 was decidedly not having a year of wonders. England in 1666 had war, plague, and a three-day fire that destroyed most of London, plus Isaac Newton invented calculus, thereby making the lives of mathematically ungifted students immeasurably worse forever. But Dryden’s poem was about what a great year it was because it could have been worse. They lived to see 1667 after all. At least, everyone who read the poem did. [From This Is How It Always Is by Laurie Frankel, p 163]
This is a story about a family’s experience with their transgender son/daughter. Their joys, sorrows, struggles, and conversations are those of any family working through any particular issue. The gift of this novel is how it shows the care, love, and ease with which even the most unusual and seemingly difficult matters can be lived.
This is a funny, poignant, and powerful book, and I highly recommend it. Frankel takes this au courant topic and makes it part of all of our daily lives and culture.
I read this book a couple weeks ago and enjoyed it very much. I hadn’t read Atkinson before, but I think I’ll take a look at Behind the Scenes at the Museum soon.
Transcription is about a young woman who, like so many others in World War II in England, gets hired to do war work. For her it was transcribing the conversations of suspected spies who meet in a room that has been tapped for sound. She and others are in the adjoining apartment, and a real feature of the plot is the interesting interactions on the street of both sets of people, as well as the things they both know and guess about each other. The story gives a good perspective on the conditions in London during the war, and the many different things people stepped up to do for the “war effort.”
Juliet Armstrong, the protagonist, is a seemingly normal young woman for the time, trying different things and caught up by the flattery of others. Her own story – bought up by a single mother who has died at the beginning of this novel – adds to the background here. I never quite grasped who Juliet is as I read the book. She seemed rather ephemeral, and some of her actions didn’t quite add up. Even when I got to the very surprising end (no spoilers here!) she just didn’t quite make sense to me.
Even with that, the book is well worth reading, especially if you’re interested in England during World War II. I think if you like the TV series Foyle’s War, you’ll enjoy this novel.